1.
Batista, Anamarija; Müller, Viola; Peres, Corinna (Ed.)
Coercion and Wage Labour. Exploring Work Relations through History and Art Collection
2024.
@collection{nokey,
title = {Coercion and Wage Labour. Exploring Work Relations through History and Art},
editor = {Anamarija Batista and Viola Müller and Corinna Peres},
year = {2024},
date = {2024-01-01},
abstract = {Coercion and Wage Labour presents novel histories of people who experienced physical, social, political or cultural compulsion in the course of paid work. Broad in scope, the chapters examine diverse areas of work including textile production, war industries, civil service and domestic labour, in contexts from the Middle Ages to the present day. They demonstrate that wages have consistently shaped working people’s experiences, and failed to protect workers from coercion. Instead, wages emerge as versatile tools to bind, control, and exploit workers. Remuneration mirrors the distribution of power in labour relations, often separating employers physically and emotionally from their employees, and disguising coercion.
The book makes historical narratives accessible for interdisciplinary audiences. Most chapters are preceded by illustrations by artists invited to visually conceptualise the book’s key messages and to emphasise the presence of the body and landscape in the realm of work. In turn, the chapter texts reflect back on the artworks, creating an intense intermedial dialogue that offers mutually relational ‘translations’ and narrations of labour coercion. Other contributions written by art scholars discuss how coercion in remunerated labour is constructed and reflected in artistic practice. The collection serves as an innovative and creative tool for teaching, and raises awareness that narrating history is always contingent on the medium chosen and its inherent constraints and possibilities.},
keywords = {},
pubstate = {published},
tppubtype = {collection}
}
Coercion and Wage Labour presents novel histories of people who experienced physical, social, political or cultural compulsion in the course of paid work. Broad in scope, the chapters examine diverse areas of work including textile production, war industries, civil service and domestic labour, in contexts from the Middle Ages to the present day. They demonstrate that wages have consistently shaped working people’s experiences, and failed to protect workers from coercion. Instead, wages emerge as versatile tools to bind, control, and exploit workers. Remuneration mirrors the distribution of power in labour relations, often separating employers physically and emotionally from their employees, and disguising coercion.
The book makes historical narratives accessible for interdisciplinary audiences. Most chapters are preceded by illustrations by artists invited to visually conceptualise the book’s key messages and to emphasise the presence of the body and landscape in the realm of work. In turn, the chapter texts reflect back on the artworks, creating an intense intermedial dialogue that offers mutually relational ‘translations’ and narrations of labour coercion. Other contributions written by art scholars discuss how coercion in remunerated labour is constructed and reflected in artistic practice. The collection serves as an innovative and creative tool for teaching, and raises awareness that narrating history is always contingent on the medium chosen and its inherent constraints and possibilities.
The book makes historical narratives accessible for interdisciplinary audiences. Most chapters are preceded by illustrations by artists invited to visually conceptualise the book’s key messages and to emphasise the presence of the body and landscape in the realm of work. In turn, the chapter texts reflect back on the artworks, creating an intense intermedial dialogue that offers mutually relational ‘translations’ and narrations of labour coercion. Other contributions written by art scholars discuss how coercion in remunerated labour is constructed and reflected in artistic practice. The collection serves as an innovative and creative tool for teaching, and raises awareness that narrating history is always contingent on the medium chosen and its inherent constraints and possibilities.
2.
Batista, Anamarija; Müller, Viola; Peres, Corinna
Coercion and Wage Labour in History and Art Book Chapter
In: Batista, Anamarija; Müller, Viola; Peres, Corinna (Ed.): Coercion and Wage Labour. Exploring Work Relations through History and Art, 2024.
@inbook{nokey,
title = {Coercion and Wage Labour in History and Art},
author = {Anamarija Batista and Viola Müller and Corinna Peres
},
editor = {Anamarija Batista and Viola Müller and Corinna Peres
},
year = {2024},
date = {2024-01-01},
booktitle = {Coercion and Wage Labour. Exploring Work Relations through History and Art},
keywords = {},
pubstate = {published},
tppubtype = {inbook}
}
3.
Batista, Anamarija; Kovács, Szilvia; Lesky, Carina (Ed.)
Rethinking Density: Art, Culture, and Urban Practices. Book
2017.
@book{nokey,
title = {Rethinking Density: Art, Culture, and Urban Practices.},
editor = {Anamarija Batista and Szilvia Kovács and Carina Lesky},
year = {2017},
date = {2017-01-01},
urldate = {2017-01-01},
abstract = {“Rethinking Density: Art, Culture, and Urban Practices” considers new perspectives and discussions related to the category of density, which for a long time has been part of urban-planning discourses and is now regaining the attention of artists and practitioners from a number of different disciplines. In an interplay of models, coping strategies, and experimental approaches, this publication combines research from cultural studies, artistic research, sound studies as well as architectural and urban theory.
},
keywords = {},
pubstate = {published},
tppubtype = {book}
}
“Rethinking Density: Art, Culture, and Urban Practices” considers new perspectives and discussions related to the category of density, which for a long time has been part of urban-planning discourses and is now regaining the attention of artists and practitioners from a number of different disciplines. In an interplay of models, coping strategies, and experimental approaches, this publication combines research from cultural studies, artistic research, sound studies as well as architectural and urban theory.
4.
Batista, Anamarija (Ed.)
Crisis as Ideology Booklet
2016.
@booklet{nokey,
title = {Crisis as Ideology},
editor = {Anamarija Batista},
year = {2016},
date = {2016-01-01},
urldate = {2016-01-01},
abstract = {In this exhibition we investigate and (de)construct the character of the crisis. It is an attempt to probe the ambiguous status quo. The artistic works address notions of social manipulation, discontinuity, and value creation along with historical and contemporary precedents, with the aim to transfer the crisis and its demons into concrete and tangible states of thought, to outfox them and transform them into spatial constructs.
},
month = {01},
keywords = {},
pubstate = {published},
tppubtype = {booklet}
}
In this exhibition we investigate and (de)construct the character of the crisis. It is an attempt to probe the ambiguous status quo. The artistic works address notions of social manipulation, discontinuity, and value creation along with historical and contemporary precedents, with the aim to transfer the crisis and its demons into concrete and tangible states of thought, to outfox them and transform them into spatial constructs.
2024
Batista, Anamarija; Müller, Viola; Peres, Corinna (Ed.)
Coercion and Wage Labour. Exploring Work Relations through History and Art Collection
2024.
Abstract | Tags: art, wage labour
@collection{nokey,
title = {Coercion and Wage Labour. Exploring Work Relations through History and Art},
editor = {Anamarija Batista and Viola Müller and Corinna Peres},
year = {2024},
date = {2024-01-01},
abstract = {Coercion and Wage Labour presents novel histories of people who experienced physical, social, political or cultural compulsion in the course of paid work. Broad in scope, the chapters examine diverse areas of work including textile production, war industries, civil service and domestic labour, in contexts from the Middle Ages to the present day. They demonstrate that wages have consistently shaped working people’s experiences, and failed to protect workers from coercion. Instead, wages emerge as versatile tools to bind, control, and exploit workers. Remuneration mirrors the distribution of power in labour relations, often separating employers physically and emotionally from their employees, and disguising coercion.
The book makes historical narratives accessible for interdisciplinary audiences. Most chapters are preceded by illustrations by artists invited to visually conceptualise the book’s key messages and to emphasise the presence of the body and landscape in the realm of work. In turn, the chapter texts reflect back on the artworks, creating an intense intermedial dialogue that offers mutually relational ‘translations’ and narrations of labour coercion. Other contributions written by art scholars discuss how coercion in remunerated labour is constructed and reflected in artistic practice. The collection serves as an innovative and creative tool for teaching, and raises awareness that narrating history is always contingent on the medium chosen and its inherent constraints and possibilities.},
keywords = {art, wage labour},
pubstate = {published},
tppubtype = {collection}
}
Coercion and Wage Labour presents novel histories of people who experienced physical, social, political or cultural compulsion in the course of paid work. Broad in scope, the chapters examine diverse areas of work including textile production, war industries, civil service and domestic labour, in contexts from the Middle Ages to the present day. They demonstrate that wages have consistently shaped working people’s experiences, and failed to protect workers from coercion. Instead, wages emerge as versatile tools to bind, control, and exploit workers. Remuneration mirrors the distribution of power in labour relations, often separating employers physically and emotionally from their employees, and disguising coercion.
The book makes historical narratives accessible for interdisciplinary audiences. Most chapters are preceded by illustrations by artists invited to visually conceptualise the book’s key messages and to emphasise the presence of the body and landscape in the realm of work. In turn, the chapter texts reflect back on the artworks, creating an intense intermedial dialogue that offers mutually relational ‘translations’ and narrations of labour coercion. Other contributions written by art scholars discuss how coercion in remunerated labour is constructed and reflected in artistic practice. The collection serves as an innovative and creative tool for teaching, and raises awareness that narrating history is always contingent on the medium chosen and its inherent constraints and possibilities.
The book makes historical narratives accessible for interdisciplinary audiences. Most chapters are preceded by illustrations by artists invited to visually conceptualise the book’s key messages and to emphasise the presence of the body and landscape in the realm of work. In turn, the chapter texts reflect back on the artworks, creating an intense intermedial dialogue that offers mutually relational ‘translations’ and narrations of labour coercion. Other contributions written by art scholars discuss how coercion in remunerated labour is constructed and reflected in artistic practice. The collection serves as an innovative and creative tool for teaching, and raises awareness that narrating history is always contingent on the medium chosen and its inherent constraints and possibilities.
Batista, Anamarija; Müller, Viola; Peres, Corinna
Coercion and Wage Labour in History and Art Book Chapter
In: Batista, Anamarija; Müller, Viola; Peres, Corinna (Ed.): Coercion and Wage Labour. Exploring Work Relations through History and Art, 2024.
Tags: art, wage labour
@inbook{nokey,
title = {Coercion and Wage Labour in History and Art},
author = {Anamarija Batista and Viola Müller and Corinna Peres
},
editor = {Anamarija Batista and Viola Müller and Corinna Peres
},
year = {2024},
date = {2024-01-01},
booktitle = {Coercion and Wage Labour. Exploring Work Relations through History and Art},
keywords = {art, wage labour},
pubstate = {published},
tppubtype = {inbook}
}
2017
Batista, Anamarija; Kovács, Szilvia; Lesky, Carina (Ed.)
Rethinking Density: Art, Culture, and Urban Practices. Book
2017.
Abstract | Tags: art, cultural studies, urbanity
@book{nokey,
title = {Rethinking Density: Art, Culture, and Urban Practices.},
editor = {Anamarija Batista and Szilvia Kovács and Carina Lesky},
year = {2017},
date = {2017-01-01},
urldate = {2017-01-01},
abstract = {“Rethinking Density: Art, Culture, and Urban Practices” considers new perspectives and discussions related to the category of density, which for a long time has been part of urban-planning discourses and is now regaining the attention of artists and practitioners from a number of different disciplines. In an interplay of models, coping strategies, and experimental approaches, this publication combines research from cultural studies, artistic research, sound studies as well as architectural and urban theory.
},
keywords = {art, cultural studies, urbanity},
pubstate = {published},
tppubtype = {book}
}
“Rethinking Density: Art, Culture, and Urban Practices” considers new perspectives and discussions related to the category of density, which for a long time has been part of urban-planning discourses and is now regaining the attention of artists and practitioners from a number of different disciplines. In an interplay of models, coping strategies, and experimental approaches, this publication combines research from cultural studies, artistic research, sound studies as well as architectural and urban theory.
2016
Batista, Anamarija (Ed.)
Crisis as Ideology Booklet
2016.
Abstract | Tags: art, cultural studies, philosophy
@booklet{nokey,
title = {Crisis as Ideology},
editor = {Anamarija Batista},
year = {2016},
date = {2016-01-01},
urldate = {2016-01-01},
abstract = {In this exhibition we investigate and (de)construct the character of the crisis. It is an attempt to probe the ambiguous status quo. The artistic works address notions of social manipulation, discontinuity, and value creation along with historical and contemporary precedents, with the aim to transfer the crisis and its demons into concrete and tangible states of thought, to outfox them and transform them into spatial constructs.
},
month = {01},
keywords = {art, cultural studies, philosophy},
pubstate = {published},
tppubtype = {booklet}
}
In this exhibition we investigate and (de)construct the character of the crisis. It is an attempt to probe the ambiguous status quo. The artistic works address notions of social manipulation, discontinuity, and value creation along with historical and contemporary precedents, with the aim to transfer the crisis and its demons into concrete and tangible states of thought, to outfox them and transform them into spatial constructs.